- CHAMBER -

Untitled  (in progress)  for violin, cello, bass clarinet, bass trombone, percussion, ondes Martenot, fixed electronics   45 - 60’      No Hay Banda commission

 

Untitled  (in progress)  for string quartet, woodwind quartet, electronic drones; tuned in just intonation   60’      Apartment House commission

 

Brass Chant  (2023)  for brass trio and electronics; tuned in just intonation   60’      Museum of Modern Art commission

 

The Lower Melodies (2022-2023)  for two violas, two cellos, flute, bass flute, clarinet, bass clarinet, fixed electronics; tuned in just intonation   30’      Wild Up commission

 

Graduals  (2022-2023)  for eight cellos and two sine tones   40’      Cello Octet Amsterdam commission

 

Feedback Studies for Percussion  (2022)  for two amplified pianos, tuned gongs, Almglocken, tubular bells   20’      Yarn/Wire commission

 

O World and the Clear Song  (2021)  for one or two pipe organs and one or two bass flutes, with or without electronic drone   15’

 

Icon Studies I  (2021)  for string quartet, woodwind trio, drone; tuned in just intonation   15’

 

Icon Studies II  (2021)  for string quartet; tuned to meantone temperament   15’

Alas, Departing  (2021)  for four-part choir   10’

 

En Bas Tu Vois  (2021)  for four trombones; tuned in just intonation   15’

Long Gradus  (2020-2021)  for string quartet or any ensemble of four similar instruments; tuned in just intonation   variable 20' - 70’      Quatuor Bozzini commission      recording (excerpt)

 

Music For A Holding Space  (2020-2021)  for electric organ, violin, cello, bassoon, chamber choir   variable 10' - 50’      Bonner Kunstverein commission

First Cadence  (2020)  for any ensemble of six woodwind or muted brass instruments   15’

 

Perfumes II  (2018)  for piano and two countertenor voices   10'

 

Perfumes III  (2018)  for acoustic and/or electric organ, piano   10’

 

Stile Vuoto  (2018)  for pipe organ and string trio   15’      Organ Reframed commission for James McVinnie and the London Contemporary Orchestra

 

If It Pleased Me To Appear To You Wrapped In This Drapery  (2017-2018)  for reed organ, violin, viola da gamba   variable 25' or 50’

 

Auster  (2017)  for two recorders   10’

 

In The Grand Luxe Hall  (2016)  for amplified cello and sine tones   variable 20' - 40’      Western Front New Music commission

 

Lyke Wake Dirge  (2016)  for pipe organ, viola da gamba, fixed electronics   45’      Innovations en concert commission

 

For Voice  (2015)  for chamber choir   10’

Gentle So Gentle  (2015)  for synthesizer and violin   20’

 

Heliotrope  (2012)  for viola, cello, flute, oboe   10’

- SOLO & ACOUSMATIC -

Dust of Earth  (2022)  for pipe organ   10'      Canadian International Organ Competition commission

 

Feedback Studies for Piano  (2022)  for amplified piano and fixed electronics   30’

 

Harmonies in Grey  (2021)  for pipe organ   20’

 

Harmonies in Green  (2021)  for pipe organ   10’

 

Harmonies in Bronze  (2021)  for pipe organ   10’

 

Vanity of Ages  (2021)  for pipe organ; tuned to meantone temperament   10’

 

Lower Visions II  (2021)  for electric organ   variable 20' to 45’      New Works Calgary commission

 

Lower Visions III  (2021)  for pipe organ and electronic drones   20’      New Works Calgary commission

Hall of Mirrors  (2020-2021)  for carillon and sine tones   6’

 

Chorus Scene  (2020)  for harpsichord; tuned to meantone temperament   5’

First Cadence  (2020)  for any sustaining keyboard instrument, with or without electronic delay   10’

 

Border of Mind  (2020)  acousmatic   6’

 

Rushes Recede  (2020)  acousmatic   7’

 

Magdalena  (2020)  acousmatic   10’

 

Doubled Flutes  (2020)  acousmatic   2’

 

Gathers III  (2020)  for piano   10’

 

Gathers IV  (2020)  for Mellotron and tape echo   15’

 

Gathers V  (2020)  for electric organ and tape echo   15’

 

Stations I-V  (2019)  for pipe organ; tuned to meantone temperament   20’

 

Still Lives  (2019)  for pipe organ   10’

 

Hanging Gardens  (2019)  acousmatic   6’

 

Diaphonia Basilica  (2018-2019)  for pipe organ   15’

 

Midlands  (2018-2019)  for reed organ   10’

 

Composition of Flowers  (2018)  for synthesizer and tape echo   50’

 

Matins  (2017)  acousmatic   9’

 

Waking  (2017)  for electric organ   10’

 

Gloaming  (2017)  for piano, synthesizer, tape echo   10’

 

Accord of Voice I  (2017)  for pipe organ   10’

 

Laurus I-III  (2017)  for pipe organ   10’

At Hand  (2016)  for electric organ   10’

 

Hours in the Evening  (2016)  for electric organ, tape echo, tape loops   45’

 

Chanter  (2015)  acousmatic   5’

 

For Strings  (2015)  acousmatic   8’

 

For Organ  (2015)  for electric organ   10’

 

In Staying  (2015)  acousmatic   11’

 

Burgundy  (2015)  acousmatic   8’

 

Mare Imbrium  (2015)  acousmatic   8’

Feeler  (2014)  acousmatic   7’

Neustadt  (2014)  acousmatic   13’

Altstadt  (2014)  acousmatic   8’

Tiergarten  (2013)  acousmatic   7’

 

Ruislip  (2013)  acousmatic   8’

 

Banyan  (2013)  acousmatic   5’

Olsun  (2013)  for synthesizer   10’

Alms Vert  (2012)  acousmatic   13’

 

Heliotrope  (2012)  acousmatic   10’

 

Aurum  (2012)  acousmatic   7’

Welkin  (2011-2012)  for pipe organ and fixed electronics   25’     recording

- ORCHESTRAL -

Oscen  (2019)  for chamber orchestra and fixed electronics   30’      BBC Scottish Symphony Orchestra commission

- for scores, parts, and related inquiries, please write to info@latemusic.co -