- CHAMBER -
Untitled (in progress) for violin, cello, bass clarinet, bass trombone, percussion, ondes Martenot, fixed electronics; 45-60’ No Hay Banda commission
Untitled (in progress) for string quartet, woodwind quartet, electronic drones; tuned in just intonation; 60’ Apartment House commission
Graduals (in progress) for eight cellos and two sine tones; 40’ Cello Octet Amsterdam commission
Feedback Studies for Percussion (2022) for two amplified pianos, tuned gongs, Almglocken, tubular bells; 20’ Yarn/Wire commission
Long Gradus (2020-21) for string quartet or any ensemble of four similar instruments; tuned in just intonation; variable 20' - 70’ Quatuor Bozzini commission recording (excerpt)
Icon Studies I (2021) for string quartet, woodwind trio, drone; tuned in just intonation; 15’
Icon Studies II (2021) for string quartet; tuned to meantone temperament; 15’
Alas, Departing (2021) for four-voice choir; 10’
En Bas Tu Vois (2021) for four trombones; tuned in just intonation; 15’
Music For A Holding Space (2021) for electric organ, violin, cello, bassoon, four-voice choir; variable 10' - 50’ Bonner Kunstverein commission
If It Pleased Me To Appear To You Wrapped In This Drapery (2017-18) for reed organ, violin, viola da gamba; variable 25' or 50’
Perfumes II (2018) for piano and two countertenor voices; 10'
Perfumes III (2018) for acoustic and/or electric organ, piano; 10’
Stile Vuoto (2018) for pipe organ and string trio; 15’ Organ Reframed commission
In The Grand Luxe Hall (2016) for amplified cello and sine tones; variable 20' - 40’ Western Front New Music commission recording (excerpt)
Lyke Wake Dirge (2016) for pipe organ, viola da gamba, fixed electronics; 45’ Innovations en concert commission
Gentle So Gentle (2015) for synthesizer and two violins; 20’
Heliotrope (2012) for viola, cello, flute, oboe; 10’
- SOLO -
Dust of Earth (2022) for pipe organ; 10' Canadian International Organ Competition commission
Feedback Studies for Piano (2022) for amplified piano and fixed electronics; 30’
Harmonies in Grey (2021) for pipe organ; 25’
Harmonies in Green (2021) for pipe organ; 10’
Harmonies in Bronze (2021) for pipe organ; 10’
Vanity of Ages (2021) for pipe organ; tuned to meantone temperament; 10’
Hall of Mirrors (2020-21) for carillon and sine tones; 6’
Lower Visions II (2021) for electric organ; variable 15' or 45’ New Works Calgary commission
Lower Visions III (2021) for pipe organ and electronic drones; 20’ New Works Calgary commission
Lower Visions IV (2021) for modular synthesizer; 25’
Chorus Scene (2020) for harpsichord; tuned to meantone temperament; 5’
First Cadence (2020) for pipe or reed organ / for Mellotron and tape echo; 10’
Gathers III (2020) for piano; 10’
Gathers IV (2020) for Mellotron and tape echo; 15’
Gathers V (2020) for electric organ and tape echo; 15’
Diaphonia Basilica (2018-19) for pipe organ; 15’
Midlands (2018-19) for reed organ; 10’
Stations (2019) for pipe organ; tuned to meantone temperament; 20’
Hanging Gardens (2019) for pipe organ; 10’
Composition of Flowers (2018) for synthesizer and tape echo; 50’
Auster (2017) for two recorders; 10’
Gloaming (2017) for piano, synthesizer, tape echo; 6’
Accord of Voice I (2017) for pipe organ, 10’
At Hand (2016) for electric organ; 10’
Hours in the Evening (2016) for electric organ; 45’
For Organ (2015) for electric organ; 10’
Tiergarten (2013) for synthesizer, 10’
Welkin (2011-12) for pipe organ and fixed electronics, 25’ recording
- ORCHESTRAL -
Oscen (2019) for 30-piece orchestra, fixed electronics; 30’ BBC Scottish Symphony Orchestra commission
- for scores, parts, and related inquiries, please write to info@latemusic.co -