Graduals  (in progress)  for eight cellos, sine tones; 40’      Cello Octet Amsterdam commission


Long Gradus I-IV  (2020-21)  for string quartet, with arrangements possible for other chamber ensembles, tuned in septimal just intonation; 70’      for Quatuor Bozzini      recording (excerpt)


Icon Studies I  (2021)  for violin, viola, cello, two bass flutes, alto recorder, reed organ, sine tones, tuned in septimal just intonation; 12’


Icon Studies II  (2021)  for string quartet, tuned to quarter-comma meantone temperament; 15’


Music For A Holding Space  (2021)  for electric organ, violin, cello, bass flute, choir (alto, tenor); 50’      Bonner Kunstverein commission


Alas, Departing  (2021)  for four voices (two mezzo-sopranos, two contraltos); 6’


En Bas Tu Vois  (2021)  for four trombones, tuned in septimal just intonation; 12’


If It Pleased Me To Appear To You Wrapped In This Drapery  (2017-18)  for reed organ, violin, viola da gamba; 25' or 55’


Perfumes II  (2018)  for piano, voice (two countertenors); 7'


Perfumes III  (2018)  for acoustic or electric organ, piano; 6’


Stile Vuoto  (2018)  for pipe organ, violin, viola, cello; 15’      Organ Reframed commission     recording


Matins  (2017)  for electric organ, piano, violin, Mellotron; 9’


In The Grand Luxe Hall  (2016)  for cello, sine tones; 35’      Western Front New Music commission     recording (excerpt)


Lyke Wake Dirge  (2016 for pipe organ, viola da gamba, fixed electronics; 45’


Heliotrope  (2012)  for viola, cello, flute, oboe; 8’

- SOLO -

Instrumental II  (2021)  for electric organ; 50’


Instrumental III  (2021)  for pipe organ, synthesizer; 20’


Harmonies in Green  (2021)  for pipe organ; 10’


Harmonies in Bronze  (2021)  for pipe organ; 10’


Vanity of Ages  (2021)  for pipe organ, tuned to quarter-comma meantone temperament; 10’


Hall of Mirrors  (2020-21)  for carillon, fixed electronics; 6’


Gathers III  (2020)  for piano; 7’


Gathers IV  (2020)  for Mellotron, tape echo; 15’


Gathers V  (2020)  for electric organ, tape echo; 15’


Chorus Scene  (2020)  for harpsichord, tuned to quarter-comma meantone temperament; 5’


Magdalena  (2020)  for Mellotron, tape echo; 10’


First Cadence  (2020)  for Mellotron, tape echo; 10’


Diaphonia Basilica  (2018-19)  for pipe organ; 15’


Midlands  (2018-19)  for reed organ; 10’


Stations I-V  (2019)  for pipe organ, tuned to quarter-comma meantone temperament; 20’


Hanging Gardens  (2019)  for pipe organ; 10’


Composition of Flowers  (2018)  for synthesizer, tape echo; 50’


Gloaming  (2017)  for piano, synthesizer, tape echo; 6’


Accord of Voice I  (2017)  for pipe organ, 9’


Mordents  (2017)  for electric organ, Mellotron, synthesizer; 11’


At Hand  (2016)  for electric organ; 6’


Hours in the Evening  (2016)  for electric organ; 45’


For Organ  (2015)  for electric organ; 8’


Gentle So Gentle  (2015)  for synthesizer, violin; 21’


Tiergarten  (2013)  for synthesizer, 10’


Alms Vert  (2012)  for synthesizer, 15’


Welkin  (2011-12)  for pipe organ, fixed electronics, 25’     recording


Oscen  (2019)  for 30-piece orchestra, fixed electronics; 30’      BBC Scottish Symphony Orchestra commission

- for scores, commissions, and related inquiries, please write to sarah.davachi@gmail.com -