- CHAMBER -
Untitled (in progress) for violin, cello, bass clarinet, bass trombone, percussion, ondes Martenot, fixed electronics 45 - 60’ No Hay Banda commission
Untitled (in progress) for string trio, woodwind trio, brass trio, electronic drones 60’ Apartment House commission
Brass Chant (2023) for brass trio and electronic drones 60’ Museum of Modern Art commission, for Contemporaneous Ensemble
The Lower Melodies I (2022-2023) for two violas, two cellos, two bass flutes, clarinet, bass clarinet, fixed electronics 20’ Wild Up commission
The Lower Melodies II (2022-2023) for two violas, two cellos, two bass flutes, clarinet, bass clarinet, fixed electronics 15’ Wild Up commission
Graduals (2022-2023) for eight cellos and sine tones 40’ Cello Octet Amsterdam commission
Feedback Studies for Percussion (2022) for two amplified pianos, tuned gongs, Almglocken, tubular bells 20’ Yarn/Wire commission
O World and the Clear Song (2021) for one or two pipe organs and one or two bass flutes 15’
Icon Studies I (2021) for string quartet, woodwind trio, drone 15’
Icon Studies II (2021) for string quartet 15’
Alas, Departing (2021) for five-part SSAAA chamber choir 10’
En Bas Tu Vois (2021) for four trombones 15’
Long Gradus (2020-2021) for any ensemble of four similar instruments variable 20' - 70’ Quatuor Bozzini commission
Music for a Holding Space (2020-2021) for electric organ, violin, cello, bassoon, four-part AATT chamber choir variable 10' - 50’ Bonner Kunstverein commission
First Cadence (2020) for any ensemble of six woodwind or brass instruments 15’
Perfumes II (2018) for piano and two countertenor voices 10'
Perfumes III (2018) for acoustic and/or electric organ, piano 10’
Stile Vuoto (2018) for pipe organ and string trio 15’ Organ Reframed commission, for James McVinnie and London Contemporary Orchestra
If It Pleased Me To Appear To You Wrapped In This Drapery (2017-2018) for reed organ, violin, viola da gamba variable 25' or 50’
Auster (2017) for two recorders 10’
In The Grand Luxe Hall (2016) for amplified cello and sine tones 35’ Western Front New Music commission
Lyke Wake Dirge (2016) for pipe organ, viola da gamba, fixed electronics 45’ Innovations en concert commission
For Voice (2015) for chamber choir 10’
Gentle So Gentle (2015) for synthesizer and violin 20’
Heliotrope (2012) for viola, cello, flute, oboe 10’
- SOLO & ACOUSMATIC -
Untitled (in progress) acousmatic 20' Radio France commission
Music for a Bellowing Room (2023) for synthesizer, tape delay, tape loops 180’ Museum of Modern Art commission
Dust of Earth (2022) for meantone pipe organ 10' Canadian International Organ Competition commission
Feedback Studies for Piano (2022) for amplified piano and fixed electronics 30’
Harmonies in Grey (2021) for pipe organ 20’
Harmonies in Green (2021) for pipe organ 10’
Harmonies in Bronze (2021) for pipe organ 10’
Vanity of Ages (2021) for meantone pipe organ 10’
Lower Visions II (2021) for electric organ variable 20' to 60'
Lower Visions III (2021) for pipe organ and electronic drones 20’
Hall of Mirrors (2020-2021) for carillon and sine tones 6’
Chorus Scene (2020) for meantone harpsichord 5’
First Cadence (2020) for any sustaining keyboard instrument, with or without electronic delay 10’
Border of Mind (2020) acousmatic 6’
Rushes Recede (2020) acousmatic 7’
Magdalena (2020) acousmatic 10’
Doubled Flutes (2020) acousmatic 2’
Gathers III (2020) for piano 10’
Gathers IV (2020) for Mellotron and tape delay 15’
Gathers V (2020) for electric organ and tape delay 15’
Third Triad (2020) acousmatic 7’
Stations I-V (2019) for meantone pipe organ 20’
Still Lives (2019) for pipe organ 10’
Hanging Gardens (2019) acousmatic 6’
Diaphonia Basilica (2018-2019) for pipe organ 15’
Midlands (2018-2019) for reed organ 10’
Composition of Flowers (2018) for synthesizer and tape delay 50’
Matins (2017) acousmatic 9’
Waking (2017) for electric organ 10’
Gloaming (2017) for piano, synthesizer, tape delay 10’
Accord of Voice I (2017) for pipe organ 10’
Laurus I-III (2017) for pipe organ 10’
At Hand (2016) for electric organ 10’
Hours in the Evening (2016) for electric organ, tape delay, tape loops 45’
Chanter (2015) acousmatic 5’
For Strings (2015) acousmatic 8’
For Organ (2015) for electric organ 10’
In Staying (2015) acousmatic 11’
Burgundy (2015) acousmatic 8’
Feeler (2014) acousmatic 7’
Mare Imbrium (2014) acousmatic 8’
Neustadt (2014) acousmatic 13’
Altstadt (2014) acousmatic 8’
Tiergarten (2013) acousmatic 7’
Ruislip (2013) acousmatic 8’
Olsun (2013) acousmatic 10’
Banyan (2013) acousmatic 5’
Alms Vert (2012) acousmatic 13’
Aurum (2012) acousmatic 7’
Heliotrope (2012) acousmatic 10’
Welkin (2011-2012) for pipe organ and fixed electronics 25'
In The Littlefield Choir Loft (2011) for twelve complex waveform generators and resonant filters, diffused in six channels 23’
- ORCHESTRAL -
Oscen (2019) for chamber orchestra and fixed electronics 30’ BBC Scottish Symphony Orchestra commission
- for scores, parts, and related inquiries, please write to info@latemusic.co -