- CHAMBER -
Untitled (in progress) for violin, cello, bass clarinet, bass trombone, percussion, ondes Martenot, fixed electronics 45 - 60’ No Hay Banda commission
Untitled (in progress) for string quartet, woodwind quartet, electronic drones; tuned in just intonation 60’ Apartment House commission
Untitled (in progress) for two violas, two cellos, flute, bass flute, clarinet, bass clarinet, fixed electronics; tuned in just intonation 30’ Wild Up commission
Graduals (in progress) for eight cellos and two sine tones 40’ Cello Octet Amsterdam commission
Feedback Studies for Percussion (2022) for two amplified pianos, tuned gongs, Almglocken, tubular bells 20’ Yarn/Wire commission
Long Gradus (2020-21) for string quartet or any ensemble of four similar instruments; tuned in just intonation variable 20' - 70’ Quatuor Bozzini commission recording (excerpt)
O World and the Clear Song (2021) for one or two pipe organs and one or two bass flutes, with or without electronic drone 15’
Icon Studies I (2021) for string quartet, woodwind trio, drone; tuned in just intonation 15’
Icon Studies II (2021) for string quartet; tuned to meantone temperament 15’
Alas, Departing (2021) for four-voice choir 10’
En Bas Tu Vois (2021) for four trombones; tuned in just intonation 15’
Music For A Holding Space (2021) for electric organ, violin, cello, bassoon, four-voice choir variable 10' - 50’ Bonner Kunstverein commission
First Cadence (2020) for any ensemble of six woodwind or muted brass instruments 15’
If It Pleased Me To Appear To You Wrapped In This Drapery (2017-18) for reed organ, violin, viola da gamba variable 25' or 50’
Perfumes II (2018) for piano and two countertenor voices 10'
Perfumes III (2018) for acoustic and/or electric organ, piano 10’
Stile Vuoto (2018) for pipe organ and string trio 15’ Organ Reframed commission
In The Grand Luxe Hall (2016) for amplified cello and sine tones variable 20' - 40’ Western Front New Music commission recording (excerpt)
Lyke Wake Dirge (2016) for pipe organ, viola da gamba, fixed electronics 45’ Innovations en concert commission
Gentle So Gentle (2015) for synthesizer and two violins 20’
Heliotrope (2012) for viola, cello, flute, oboe 10’
- SOLO -
Dust of Earth (2022) for pipe organ 10' Canadian International Organ Competition commission
Feedback Studies for Piano (2022) for amplified piano and fixed electronics 30’
Harmonies in Grey (2021) for pipe organ 25’
Harmonies in Green (2021) for pipe organ 10’
Harmonies in Bronze (2021) for pipe organ 10’
Vanity of Ages (2021) for pipe organ; tuned to meantone temperament 10’
Hall of Mirrors (2020-21) for carillon and sine tones 6’
Lower Visions II (2021) for electric organ variable 15' or 45’ New Works Calgary commission
Lower Visions III (2021) for pipe organ and electronic drones 20’ New Works Calgary commission
Lower Visions IV (2021) for modular synthesizer 25’
Chorus Scene (2020) for harpsichord; tuned to meantone temperament 5’
First Cadence (2020) for any sustaining keyboard instrument, with or without electronic delay 10’
Gathers III (2020) for piano 10’
Gathers IV (2020) for Mellotron and tape echo 15’
Gathers V (2020) for electric organ and tape echo 15’
Diaphonia Basilica (2018-19) for pipe organ 15’
Midlands (2018-19) for reed organ 10’
Stations (2019) for pipe organ; tuned to meantone temperament 20’
Hanging Gardens (2019) for pipe organ 10’
Composition of Flowers (2018) for synthesizer and tape echo 50’
Auster (2017) for two recorders 10’
Gloaming (2017) for piano, synthesizer, tape echo 6’
Accord of Voice I (2017) for pipe organ 10’
At Hand (2016) for electric organ 10’
Hours in the Evening (2016) for electric organ 45’
For Organ (2015) for electric organ 10’
Tiergarten (2013) for synthesizer 10’
Welkin (2011-12) for pipe organ and fixed electronics 25’ recording
- ORCHESTRAL -
Oscen (2019) for 30-piece orchestra, fixed electronics 30’ BBC Scottish Symphony Orchestra commission
- for scores, parts, and related inquiries, please write to info@latemusic.co -