- CHAMBER -

Graduals  (in progress)  for eight cellos, sine tones; 40’      Cello Octet Amsterdam commission

 

Long Gradus I-IV  (2020-21)  for string quartet, with arrangements possible for other chamber ensembles, tuned in septimal just intonation; 70’      for Quatuor Bozzini      recording (excerpt)

 

Icon Studies I  (2021)  for violin, viola, cello, two bass flutes, alto recorder, reed organ, sine tones, tuned in septimal just intonation; 12’

 

Icon Studies II  (2021)  for string quartet, tuned to quarter-comma meantone temperament; 15’

 

Music For A Holding Space  (2021)  for electric organ, violin, cello, bass flute, choir (alto, tenor); 50’      Bonner Kunstverein commission

 

Alas, Departing  (2021)  for four voices (two mezzo-sopranos, two contraltos); 6’

 

En Bas Tu Vois  (2021)  for four trombones, tuned in septimal just intonation; 12’

 

If It Pleased Me To Appear To You Wrapped In This Drapery  (2017-18)  for reed organ, violin, viola da gamba; 25' or 55’

 

Perfumes II  (2018)  for piano, voice (two countertenors); 7'

 

Perfumes III  (2018)  for acoustic or electric organ, piano; 6’

 

Stile Vuoto  (2018)  for pipe organ, violin, viola, cello; 15’      Organ Reframed commission     recording

 

Matins  (2017)  for electric organ, piano, violin, Mellotron; 9’

 

In The Grand Luxe Hall  (2016)  for cello, sine tones; 35’      Western Front New Music commission     recording (excerpt)

 

Lyke Wake Dirge  (2016 for pipe organ, viola da gamba, fixed electronics; 45’

 

Heliotrope  (2012)  for viola, cello, flute, oboe; 8’

- SOLO -

Instrumental II  (2021)  for electric organ; 50’

 

Instrumental III  (2021)  for pipe organ, synthesizer; 20’

 

Harmonies in Green  (2021)  for pipe organ; 10’

 

Harmonies in Bronze  (2021)  for pipe organ; 10’

 

Vanity of Ages  (2021)  for pipe organ, tuned to quarter-comma meantone temperament; 10’

 

Hall of Mirrors  (2020-21)  for carillon, fixed electronics; 6’

 

Gathers III  (2020)  for piano; 7’

 

Gathers IV  (2020)  for Mellotron, tape echo; 15’

 

Gathers V  (2020)  for electric organ, tape echo; 15’

 

Chorus Scene  (2020)  for harpsichord, tuned to quarter-comma meantone temperament; 5’

 

Magdalena  (2020)  for Mellotron, tape echo; 10’

 

First Cadence  (2020)  for Mellotron, tape echo; 10’

 

Diaphonia Basilica  (2018-19)  for pipe organ; 15’

 

Midlands  (2018-19)  for reed organ; 10’

 

Stations I-V  (2019)  for pipe organ, tuned to quarter-comma meantone temperament; 20’

 

Hanging Gardens  (2019)  for pipe organ; 10’

 

Composition of Flowers  (2018)  for synthesizer, tape echo; 50’

 

Gloaming  (2017)  for piano, synthesizer, tape echo; 6’

 

Accord of Voice I  (2017)  for pipe organ, 9’

 

Mordents  (2017)  for electric organ, Mellotron, synthesizer; 11’

 

At Hand  (2016)  for electric organ; 6’

 

Hours in the Evening  (2016)  for electric organ; 45’

 

For Organ  (2015)  for electric organ; 8’

 

Gentle So Gentle  (2015)  for synthesizer, violin; 21’

 

Tiergarten  (2013)  for synthesizer, 10’

 

Alms Vert  (2012)  for synthesizer, 15’

 

Welkin  (2011-12)  for pipe organ, fixed electronics, 25’     recording

- ORCHESTRAL -

Oscen  (2019)  for 30-piece orchestra, fixed electronics; 30’      BBC Scottish Symphony Orchestra commission

- for scores, commissions, and related inquiries, please write to sarah.davachi@gmail.com -