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- CHAMBER -

Untitled  (in progress)  for violin, cello, bass clarinet, bass trombone, percussion, ondes Martenot, fixed electronics   45 - 60’      No Hay Banda commission

 

Untitled  (in progress)  for string trio, woodwind trio, brass trio, electronic drones   60’      Apartment House commission

 

Brass Chant  (2023)  for brass trio and electronic drones   60’      Museum of Modern Art commission, for Contemporaneous Ensemble

 

The Lower Melodies I (2022-2023)  for two violas, two cellos, two bass flutes, clarinet, bass clarinet, fixed electronics   20’      Wild Up commission

 

The Lower Melodies II (2022-2023)  for two violas, two cellos, two bass flutes, clarinet, bass clarinet, fixed electronics   15’      Wild Up commission

 

Graduals  (2022-2023)  for eight cellos and sine tones   40’      Cello Octet Amsterdam commission

 

Feedback Studies for Percussion  (2022)  for two amplified pianos, tuned gongs, Almglocken, tubular bells   20’      Yarn/Wire commission

 

O World and the Clear Song  (2021)  for one or two pipe organs and one or two bass flutes   15’

 

Icon Studies I  (2021)  for string quartet, woodwind trio, drone   15’

 

Icon Studies II  (2021)  for string quartet   15’

Alas, Departing  (2021)  for five-part SSAAA chamber choir   10’

 

En Bas Tu Vois  (2021)  for four trombones   15’

Long Gradus  (2020-2021)  for any ensemble of four similar instruments   variable 20' - 70’      Quatuor Bozzini commission

 

Music for a Holding Space  (2020-2021)  for electric organ, violin, cello, bassoon, four-part AATT chamber choir   variable 10' - 50’      Bonner Kunstverein commission

First Cadence  (2020)  for any ensemble of six woodwind or brass instruments   15’

 

Perfumes II  (2018)  for piano and two countertenor voices   10'

 

Perfumes III  (2018)  for acoustic and/or electric organ, piano   10’

 

Stile Vuoto  (2018)  for pipe organ and string trio   15’      Organ Reframed commission, for James McVinnie and London Contemporary Orchestra

 

If It Pleased Me To Appear To You Wrapped In This Drapery  (2017-2018)  for reed organ, violin, viola da gamba   variable 25' or 50’

 

Auster  (2017)  for two recorders   10’

 

In The Grand Luxe Hall  (2016)  for amplified cello and sine tones   35’      Western Front New Music commission

 

Lyke Wake Dirge  (2016)  for pipe organ, viola da gamba, fixed electronics   45’      Innovations en concert commission

 

For Voice  (2015)  for chamber choir   10’

Gentle So Gentle  (2015)  for synthesizer and violin   20’

 

Heliotrope  (2012)  for viola, cello, flute, oboe   10’

- SOLO & ACOUSMATIC -

Untitled  (in progress)  acousmatic   20'      Radio France commission

 

Music for a Bellowing Room  (2023)  for synthesizer, tape delay, tape loops   180’      Museum of Modern Art commission

 

Dust of Earth  (2022)  for meantone pipe organ   10'      Canadian International Organ Competition commission

 

Feedback Studies for Piano  (2022)  for amplified piano and fixed electronics   30’

 

Harmonies in Grey  (2021)  for pipe organ   20’

 

Harmonies in Green  (2021)  for pipe organ   10’

 

Harmonies in Bronze  (2021)  for pipe organ   10’

 

Vanity of Ages  (2021)  for meantone pipe organ   10’

 

Lower Visions II  (2021)  for electric organ   variable 20' to 60'

 

Lower Visions III  (2021)  for pipe organ and electronic drones   20’

Hall of Mirrors  (2020-2021)  for carillon and sine tones   6’

 

Chorus Scene  (2020)  for meantone harpsichord   5’

First Cadence  (2020)  for any sustaining keyboard instrument, with or without electronic delay   10’

 

Border of Mind  (2020)  acousmatic   6’

 

Rushes Recede  (2020)  acousmatic   7’

 

Magdalena  (2020)  acousmatic   10’

 

Doubled Flutes  (2020)  acousmatic   2’

 

Gathers III  (2020)  for piano   10’

 

Gathers IV  (2020)  for Mellotron and tape delay   15’

 

Gathers V  (2020)  for electric organ and tape delay   15’

 

Third Triad  (2020)  acousmatic   7’

 

Stations I-V  (2019)  for meantone pipe organ   20’

 

Still Lives  (2019)  for pipe organ   10’

 

Hanging Gardens  (2019)  acousmatic   6’

 

Diaphonia Basilica  (2018-2019)  for pipe organ   15’

 

Midlands  (2018-2019)  for reed organ   10’

 

Composition of Flowers  (2018)  for synthesizer and tape delay   50’

 

Matins  (2017)  acousmatic   9’

 

Waking  (2017)  for electric organ   10’

 

Gloaming  (2017)  for piano, synthesizer, tape delay   10’

 

Accord of Voice I  (2017)  for pipe organ   10’

 

Laurus I-III  (2017)  for pipe organ   10’

At Hand  (2016)  for electric organ   10’

 

Hours in the Evening  (2016)  for electric organ, tape delay, tape loops   45’

 

Chanter  (2015)  acousmatic   5’

 

For Strings  (2015)  acousmatic   8’

 

For Organ  (2015)  for electric organ   10’

 

In Staying  (2015)  acousmatic   11’

 

Burgundy  (2015)  acousmatic   8’

 

Feeler  (2014)  acousmatic   7’

Mare Imbrium  (2014)  acousmatic   8’

Neustadt  (2014)  acousmatic   13’

Altstadt  (2014)  acousmatic   8’

Tiergarten  (2013)  acousmatic   7’

 

Ruislip  (2013)  acousmatic   8’

 

Olsun  (2013)  acousmatic   10’

Banyan  (2013)  acousmatic   5’

Alms Vert  (2012)  acousmatic   13’

 

Aurum  (2012)  acousmatic   7’

 

Heliotrope  (2012)  acousmatic   10’

Welkin  (2011-2012)  for pipe organ and fixed electronics   25'

 

In The Littlefield Choir Loft  (2011)  for twelve complex waveform generators and resonant filters, diffused in six channels   23’

- ORCHESTRAL -

Oscen  (2019)  for chamber orchestra and fixed electronics   30’      BBC Scottish Symphony Orchestra commission

- for scores, parts, and related inquiries, please write to info@latemusic.co -

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